If god has died, we invent new ones.

Religious images are a recurring theme in the work of Cheo González. Whether to illustrate books, defend secular education or be pasted on the door of a church, we will always see as a common factor a forceful criticism of the exaltation of ideas that demand to be accepted as dogmas with supernatural excuses over a rational and informed analysis. Pieces such as the Black Jesus or the transvestite Christ are now part of the museum collection and have been published internationally.